【图片】我充值k币的钱被吞了，我想退款，给客服打电话也不接，在微博反馈问题也搪塞？到底是想怎样？亏我这么信任keep【keep吧】_百度贴吧
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我充值k币的钱被吞了，我想退款，给客服打电话也不接，在微博反收藏
我充值k币的钱被吞了，我想退款，给客服打电话也不接，在微博反馈问题也搪塞？到底是想怎样？亏我这么信任keep！
没办法。。。。咱这没有反馈渠道，
你可以信任他的教程，其他的恕我直言。。。。。。他们内部很多问题，
不是吧？？？我还想买来着
我的是11.2.5的版本
正版的IOS系统 支付给APP的款项 都可以自己操作退款 完全不需要 找 keep处理~ 具体怎么操作不会的话 可以 联系苹果官方客服询问~ （我怎么觉得刚刚回复过这个帖子了…）
网上一大把街舞教程。
楼主你的问题怎么解决了
我也是被骗充了钱。明明写着一定要充钱才能买课程，充了钱又不能买，真是够郁闷的，最近正好换了iPhone后， 又说安卓之前买的币，iPhone 又不能用币，之前显示钱没有了，郁闷死了，这软件明摆着坑。
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红包送不停有糖bestkeep里买东西较长时间没发货取消了订单，订单取消后多久退款到_百度知道
有糖bestkeep里买东西较长时间没发货取消了订单，订单取消后多久退款到
有糖bestkeep里买东西较长时间没发货取消了订单，订单取消后多久退款到账
我有更好的答案
我上次取消了 第二天到账的
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雅思阅读资料：Selling Digital Music
15:09:40 来源：网络
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　　以下是给大家分享的资料：Selling Digital
Music。希望对大家的雅思备考有所帮助，更多雅思备考资料欢迎大家随时关注新东方在线雅思网。　　Part I　　Reading Passage 1　　You should spend about 20 minutes on Questions 1-14 which are based on
Reading Passage1 below.　　Selling Digital Music without Copy-protection Makes Sense　　A.　　It was uncharacteristically low-key for the industry’s greatest showman.
But the essay published this week by Steve Jobs, the boss of Apple, on his
firm’s website under the unassuming title &Thoughts on Music& has nonetheless
provoked a vigorous debate about the future of digital music, which Apple
dominates with its iPod music-player and iTunes music-store. At issue is
&digital rights management& (DRM)—the technology guarding downloaded music
against theft. Since there is no common standard for DRM, it also has the
side-effect that songs purchased for one type of music-player may not work on
another. Apple’s DRM system, called FairPlay, is the most widespread. So it came
as a surprise when Mr. Jobs called for DRM for digital music to be
abolished.　　B.　　This is a change of tack for Apple. It has come under fire from European
regulators who claim that its refusal to license FairPlay to other firms has
&locked in& customers. Since music from the iTunes store cannot be played on
non-iPod music-players (at least not without a lot of fiddling), any iTunes
buyer will be deterred from switching to a device made by a rival firm, such as
Sony or Microsoft. When French lawmakers drafted a bill last year compelling
Apple to open up FairPlay to rivals, the company warned of &state-sponsored
piracy&. Only DRM, it implied, could keep the pirates at bay.　　C.　　This week Mr. Jobs gave another explanation for his former defence of DRM:
the record companies made him do it. They would make their music available to
the iTunes store only if Apple agreed to protect it using DRM. They can still
withdraw their catalogues if the DRM system is compromised. Apple cannot license
FairPlay to others, says Mr Jobs, because it would depend on them to produce
security fixes promptly. All DRM does is restrict consumer choice and provide a
barrier to entry, says Mr J without it there would be far more stores and
players, and far more innovation. So, he suggests, why not do away with DRM and
sell music unprotected? &This is clearly the best alternative for consumers,& he
declares, &and Apple would embrace it in a heartbeat.&　　D.　　Why the sudden change of heart? Mr Jobs seems chiefly concerned with
getting Europe’s regulators off his back. Rather than complaining to Apple about
its use of DRM, he suggests, &those unhappy with the current situation should
redirect their energies towards persuading the music companies to sell their
music DRM-free.& Two and a half of the four big record companies, he helpfully
points out, are European-owned. Mr Jobs also hopes to paint himself as a
consumer champion. Apple resents accusations that it has become the Microsoft of
digital music.　　E.　　Apple can afford to embrace open competition in music players and online
stores. Consumers would gravitate to the best player and the best store, and at
the moment that still means Apple’s. Mr Jobs is evidently unfazed by rivals to
the iPod. Since only 3% of the music in a typical iTunes library is protected,
most of it can already be used on other players today, he notes. (And even the
protected tracks can be burned onto a CD and then re-ripped.) So Apple’s
dominance evidently depends far more on branding and ease of use than
DRM-related &lock in&.　　F.　　The music giants are trying DRM-free downloads. Lots of smaller labels
already sell music that way. Having seen which way the wind is blowing, Mr Jobs
now wants to be seen not as DRM’s defender, but as a consumer champion who
helped in its downfall. Wouldn’t it lead to a surge in piracy? No, because most
music is still sold unprotected on CDs, people wishing to steal music already
can do so. Indeed, scrapping DRM would probably increase online-music sales by
reducing confusion and incompatibility. With the leading online store, Apple
would benefit most. Mr Jobs’s argument, in short, is transparently self-serving.
It also happens to be right.
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