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德国制仿名家小提琴
国酒醇釀 波斯雅韵——中国名酒杯与波斯古董地毯
编号：0533
估价：8,000-12,000
编号：0535
估价：120,000-150,000
编号：0536
估价：60,000-80,000
编号：0537
估价：60,000-80,000
8,000至12,000
拍卖会名称
拍卖会专场
宁波富邦大酒店
年份：约1900年 外壳：松木及枫木 附件：旧弓鳄鱼皮琴盒 琴内标纸： Jacobus Stainer（亚科伯o斯坦纳）in Absom prope Oenipontum fecit162□ 说明：鉴于162□之年份有疑，此琴应是在近百年前德国制琴师的仿名师作品。但是其所选用之材料为最上等的阿尔卑斯山松木及枫木，及配件均为十分精良，音色明亮优美，所以不失为一只实用价值极高的古董提琴。弓上有钢印Berini。盒子为古董鳄鱼皮琴盒。 亚科伯o斯坦纳是历史上德奥提琴制作学派最重要的大师，巴赫莫扎特、塔蒂尼等音乐巨匠，当年都使用斯坦纳制作的提琴演奏。 PAN RAN ( b.1907 ) CALLIGRAPHY
宁波富邦拍卖有限公司成立于2009年2月，注册资本1000万元，是中国500强企业宁波富邦控股集团...…[]
联系电话：0联系地址：浙江省宁波市天童北路702号富邦艺术馆2楼所属地区：宁波拍卖品:
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德国小提琴制作师
今天去拜访了德国小提琴制作师 &。
打开琴盒，师傅就说了句，“这是很便宜的中国制造。”拿起来后又说了句，“很便宜的中国琴弦，是用很短的时间做出来的琴。”看，我就说吧，死刑。
不过，师傅又来了一句，“我也买很便宜的中国琴，买回来后全部重新改造。”。。。。。。。
我问您看这个怎么改一下呢？
判决：没必要对这把琴做更多的投资了，可以换套琴弦，至少让它能好听点儿。
那就换。。。。。。。我本来也就想换把新的琴，再精湛一年技术，不然太暴殄了。
如果不买琴，可以租。租金根据琴的价值变动，小孩的1/4码从月租12欧起(外加两三欧的保险费)，孩子刚开始学琴大多都是租（各个音乐学校也可以租琴），真要有可能发展家长就买一把琴。一般来讲德国父母会买一把三千到四千欧之间的琴送给孩子，但都是等到4/4码的时候才买。之前买划不来，小孩换琴太快。
成年人也可以租，租到最后也可以付全款买下（扣除之前一半的租金）。现在只要有钱就可以买好琴，以前民主德国的时候还不行。那时候好琴数量少，必须在教授的陪同下，好说歹说，有时候甚至是求情才能买到一把好琴。感慨啊，计划经济讲人情，市场经济就认钱，有钱不会拉都无所谓，随便你买。
来，我给大家分析一下这把琴的病状：
以后买琴的时候要记得前后的琴板用手捏一捏，好的琴板是捏得动的，就是板子薄、有弹性，在这个前提下再看其它的细节。
这把琴是捏都捏不动，请问是中国兵工厂出产的么？？？？木头多随便用是吧？太舍得给料了喂！
以上这一点就够了，没有太多改造的空间，再怎么改它的声音也会像是得了重感冒一样，发出来的是鼻音，闷的。
换了套德国手工造的琴弦，声音确实变了很多，至少不僵了。如果问这个琴弦的寿命有多长？一个很重要的因素是，手指出汗多少？当然是越多越影响琴弦的寿命！。。。师傅说这把琴可以再玩两年，之后可以考虑换别的琴。
好吧，就这么捉，精湛技艺，厚德才能载物哈。看着他那保险柜里的琴，嗯。。。。。。积德啊赶紧！！！
已投稿到：
以上网友发言只代表其个人观点，不代表新浪网的观点或立场。2、想让孩子学小提琴，法兰山德小提琴怎么样啊？在家附近的一间琴行看到的，店员说是德国品牌_百度知道
2、想让孩子学小提琴，法兰山德小提琴怎么样啊？在家附近的一间琴行看到的，店员说是德国品牌
法兰山德是一家德国的乐器公司，在上海设有工厂，是中国唯一一家德国独资企业，德国的老牌子，琴很好。
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其他2条回答
法兰山德提琴不错的、确实是德国品牌、销到世界上60多个国家、值得选择
很喜欢法兰山德小提琴的音色，而且售后服务也不错的
法兰山德的相关知识
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出门在外也不愁德国小提琴制造人目录（A-R)
German&Violin&Makers
(A-R)ALBANI,&Mathias,&Botzen.&M.&F&tis,&quoting&the&Biographical&Dictionary&of&Moritz&Berman,&with&regard&to&Albani,&states&that&he&was&born&in&1621,&and&died&in&1673.&The&form&is&somewhat&like&Stainer's,&but&higher&and&heavier&in&construction.&The&varnish&is&very&rich.&Wood&of&good&quality.Mathias&Albani&FecitBulsani&Tyrol&1651.Matthias&Albanus&FecitBulsani&in&Tyroli&1680.ALBANI,&Mathias,&Botzen,&about&.&Son&of&the&above.&This&maker&should,&perhaps,&have&been&classed&with&those&of&Italy,&his&style&being&I&but&as&he&was&the&son&of&the&well-known&German&maker,&it&was&thought&best&that&his&name&should&follow&that&of&his&father&under&the&head&of&German&makers.&The&son&has&shown&but&faint&marks&of&having&been&tutored&by&his&parent&in&the&art&of&Violin-making.&He&is&said&to&have&visited&Cremona,&in&order&to&receive&instruction&there&under&Amati,&and&this&circumstance&may&have&given&to&his&work&that&Italian&air&which&is&so&pleasing&to&the&connoisseur.1&This&maker&is&often&credited&with&the&work&of&the&elder&Albani,&it&having&been&supposed&that&there&was&but&one&of&that&name.&The&model&is&good,&and&the&workmanship&throughout&demands&high&praise.&Gerber&states&that&the&famous&Violinist,&Tomaso&Albinoni,&possessed&two&Violins&of&this&maker,&dated&1702&and&1709.&&&1&He&appears&to&have&worked&for&a&time&in&Rome,&from&which&city&some&instruments&are&dated.ALBANI,&Paolo,&Palermo,&about&1633.&Probably&related&to&the&Albanis&of&Botzen.&See&Italian&makers.ALETZIE,&Paolo,&Munich.&See&Italian&makers.Paulus&Aletzee&hofLauten&und&Geigenmacherin&M&nchen&1710.ARTMANN,&——,&Weimar,&near&Gotha,&18th&century.&Was&originally&a&joiner.&Copied&Amati&very&cleverly.&The&varnish&is&frequently&of&amber&colour.BACHMANN,&Carl&Ludwig,&born&at&Berlin,&1716.&Court&musician&and&Violin-maker.&The&work&is&clean,&and&not&without&style.&Bachmann&was&a&performer&on&the&Viol.&In&1765&he&was&appointed&instrument&maker&to&the&court&of&Frederick&the&Great.&Bachmann,&in&conjunction&with&Ernest&Benda,&founded&in&1770&the&concerts&for&amateurs&at&Berlin.&He&died&in&1800.BACHMANN,&O.,&Halberstadt,&Violin-maker,&and&author&of&a&handbook&on&the&construction&of&bow&instruments,&published&in&1835&at&Leipsic.BAUSCH,&Ludwig&C.&A.,&Leipsic,&born&at&Nuremberg&in&1815.&Pupil&of&B.&Fritsche&in&Dresden.BAUSCH,&Ludwig&B.&Son&of&the&above.BAUSCH,&Otto&B.,&Leipsic,&born&1841,&brother&of&the&above.BECKMANN,&Sweno,&Stockholm,&about&1700.&The&work&is&rough.BEDLER,&——,&about&1750.B&ELA,&Szepessy,&born&at&Budapest&in&1856.&Now&living&in&London.BINDERNAGEL,&——,&Gotha,&18th&century.&Copied&Amati&chiefly.&There&are&a&few&of&his&instruments&which&are&on&the&model&of&Stradivari,&and&are&highly&valued&in&Germany.BUCHSTADTER,&Gabriel&David,&Ratisbon,&18th&century.&His&Violins&are&not&equal&in&merit.&Some&have&excellent&wood,&others&very&indifferent.&When&one&of&his&best&instruments&can&be&procured,&it&is&a&good&substitute&for&a&second-class&Italian.CHRISTA,&Joseph&Paul,&Munich,&1730.Josephus&Paulus&Christa,&Lautenund&Geigenmacher&in&M&nchen.&17—DIEL,&Martin&(spelt&Diehl&by&later&members&of&the&family),&Mayence,&worked&with&Nicolaus&D&pfer,&and&later&with&Carl&Helmer&of&Prague.&He&was&a&son-in-law&of&D&pfer.DIEL,&Nicolaus,&born&1779,&son&of&Martin,&worked&with&his&uncle&Jacob&Steininger&of&Frankfort.&He&succeeded&to&the&business&of&his&father.&Died&1851.DIEL,&Johann,&brother&of&Nicolaus.DIEL,&Jacob,&son&of&Nicolaus,&settled&in&Bremen&1834,&later&in&Hamburg.&Died&1873.DIEHL,&Nicolaus&Louis,&Hamburg,&son&of&Jacob&Diehl,&died&1876.DIEHL,&Friedrich,&Darmstadt,&born&1814,&son&of&Nicolaus,&received&a&bronze&medal,&Paris&Exhibition,&1867.DIEHL,&Johann,&Mayence.DIEHL,&Heinrich,&son&of&Johann.D&OPFER,&Nicolaus,&1768.&The&instruments&of&this&maker&are&well&&the&model&is&less&raised&than&that&of&many&German&makers.&He&made&a&few&large&Tenors.&D&pfer&was&the&master&of&Martin&Diehl.DURFEL,&J.&G.,&Altenburg,&18th&century.&A&well-known&maker&of&Double-Basses.EBERLE,&J.&Ulric,&Prague,&about&1730-50.&Was&a&good&copyist&of&the&Italian&masters.&Eberle&also&made&Viols&d'Amour.Joannes&Udalricus&Eberle,Lautenmacher&in&Prag,&1730.EDLINGER,&T.,&Prague,&about&1712.EDLINGER,&Joseph&Joachim,&Prague.&Son&of&the&above.&Worked&for&some&time&in&Italy.&Died&1748.ELSLER,&Johann&Joseph,&Mayence,&1720-50.&Made&many&good&Viols&da&Gamba.ERNST,&Franz&Anton,&born&in&1745&in&Bohemia,&died&in&1805.&He&was&an&eminent&Violinist,&and&received&lessons&from&Antonio&Lolli.&In&1778&he&was&engaged&as&Court&musician&at&Gotha.&He&took&great&interest&in&Violin-making,&and&made&several&excellent&instruments.FELDEN,&M.,&Vienna,&about&1550.&Maker&of&Viols.FICHTOLD,&Hans,&about&1612.&Lute-maker.FICHTL,&Martin,&Vienna,&1757.&Large&pattern,&good&varnish,&wood&of&excellent&quality.FICKER,&Johann&Christian,&Cremona,&1720.&Said&to&have&lived&in&the&midst&of&the&greatest&makers&the&world&has&&if&so,&he&certainly&did&not&make&himself&acquainted&with&the&art&of&Violin-making&as&understood&in&Cremona.&His&instruments&may&have&been&made&at&Mittenwald,&and&dated&from&Cremona.FICKER,&Johann&Gotlieb,&Cremona,&1789.FISCHER,&Zacharie,&W&rtzburg,&1730.&This&maker&adopted&the&practice&of&baking&the&wood&for&the&manufacture&of&Violins.FISCHER,&Anton,&Vienna,&died&1879.FREY,&Hans,&Nuremberg&and&Bologna,&born&about&1440.&A&celebrated&maker&of&Lutes.&He&was&the&father-in-law&of&Albert&D&rer.&John&Evelyn,&in&his&Diary,&1645,&after&speaking&in&praise&of&the&cheese&and&sausages&of&Bologna,&refers&to&the&great&celebrity&of&the&Lutes&by&the&old&makers&of&that&city,&and&mentions&Hans&Frey.&He&says&they&"were&of&extraordinary&price,&and&the&workmen&were&chiefly&Germans."FRITZCHE,&——,&Leipsic,&about&.GEDLER,&Johann&A.,&Fussen,&about&1750.GEDLER,&Johann&B.,&Fussen,&about&1780.GEISSENHOF,&Franz,&Vienna,&died&1821.&The&initials&F.&G.&sometimes&branded&on&the&button.&Stradivari&model.&Good&work.GERLE,&Johann,&Nuremberg,&1533&to&about&1550.&Maker&of&Lutes&and&Viols.&He&also&published&a&book&on&the&Lute,&1533.GRIESSER,&Matthias,&Innspruck,&1727.GRIMM,&Carl,&Berlin,&born&about&1794.&He&died&at&Berlin,&1855,&and&was&succeeded&by&a&son,&Ludwig&Grimm.GROBITZ,&A.,&Warsaw,&about&1750.GUGEMMOS,&Fussen,&Bavaria,&17—.&Indifferent&work.HAENSEL,&Johann&A.,&Berlin.&Contributed&an&article&to&the&"Leipsic&Musical&Gazette"&in&1811,&entitled&"Ueber&den&Bau&der&Violin."HAMBERGER,&Joseph,&Presburg,&1845.HAMM,&Johann&Gottfried,&Rome,&18th&century.&Made&instruments&of&a&wide&pattern,&often&with&ivory&edges,&and&branded&inside&with&his&initials.HAMMIG,&W.&H.,&Leipsic.&Now&living.HASSERT,&——,&Eisenach,&18th&century.HASSERT,&——,&Rudolstadt,&18th&century.HELMER,&Carl,&Prague,&born&1740.&Pupil&of&Eberle&of&Prague.HILDEBRANDT,&Michael&C.,&Hamburg,&1770.HILTZ,&Paul,&Nuremberg,&1656.&Maker&of&Viols.HOFFMANN,&Martin,&Leipsic,&about&1680&to&1725.&Maker&of&Lutes&and&Viols.HOFFMANN,&Johann&Christian,&Leipsic,&about&1720.&Son&of&Martin&Hoffmann.&Lute&and&Viol&maker.HORNSTAINER,&Joseph,&Mittenwald,&about&1730.&Made&a&few&Double-Basses&of&good&quality.HORNSTAINER,&Matthias,&Mittenwald,&about&1800.HORIL,&Jacob,&Rome,&about&1742.HULLER,&August,&Shoeneck,&about&1775.HUMEL,&Christian,&Nuremberg,&about&1709.HUNGER,&Christoph&Friedrich,&Leipsic,&born&at&Dresden,&1718,&died&1787.&One&of&the&best&German&makers.JAIS,&Johann,&Botzen,&about&1776.&There&were&other&makers&of&this&name.JAUCH,&Johann,&Gratz,&Styria,&Austria.&Worked&in&Dresden&about&1774.KARB,&——,&K&nigsberg,&Maker&of&Viols.KAMBL,&Johann&A.,&Munich,&1640.Johan&Andreas&Kambl&Churf&rstl.Hof&Lauten&und&Geigenmacherin&M&nchen.KEMBTER,&——,&Dibingen,&about&1730.&Stainer&model.&Good&wood,&and&work&well&purfled.KIAPOSSE,&Sawes,&St.&Petersburg,&1750.KIRCHSCHLAG,&——,&Tyrol,&1780.KLOZ,&Matthias,&Mittenwald,&.&Is&reported&to&have&been&a&pupil&of&Stainer.&The&work&is&good&and&the&varnish&in&some&cases&of&a&mellow&quality,&in&others&somewhat&thin.&Some&of&the&wood&that&he&used&was&cut&at&the&wrong&season,&and&is&consequently&worm-eaten.Sebastian&Kloz,&inMittenwald,&An&17—KLOZ,&Sebastian,&Mittenwald,&,&son&of&Matthias&Kloz.&The&instruments&of&this&maker&are&much&esteemed.&The&model&is&flat&as&compared&with&most&Violins&of&the&German&school.&The&varnish&varies.KLOZ,&George,&Tyrol,&,&brother&of&Sebastian&Kloz.&Instruments&well&made,&chiefly&yellow&in&&wood&often&worm-eaten.KLOZ,&Egidius,&Mittenwald,&.KLOZ,&&AEgidius,&Mittenwald,&.&Son&of&Sebastian.&One&of&the&best&of&this&very&large&family&of&makers.KLOZ,&Joseph,&Mittenwald,&son&of&Egidius.KLOZ,&J.&Karl,&about&1741.&Good&work,&dark&varnish,&ornamental&border&round&label.KNITTLE,&Joseph,&Mittenwald.KNITTING,&Philip,&Mittenwald,&1760.KOHL,&Johann,&Munich,&1580.&Lute-maker&to&the&Bavarian&Court.KOLDITZ,&J.,&Rumburg,&died&1796.KOLDITZ,&Mathias&Johann,&Munich,&1720.Mathias&Joannes&Koldjz,Lauten&und&Geigenmacher&inM&nchen&17—KRAMER,&H.,&1717,&Viol-maker.KRINER,&Joseph,&Mittenwald,&1786.LASKA,&Joseph,&Prague,&born&at&Rumburg,&1738,&died&1805.&Worked&with&J.&Kolditz.LEMB&OCK,&Gabriel,&Budapest,&19th&century.&M&also&known&as&a&repairer&of&old&instruments.MANN,&Hans,&Naples.MAUSSIELL,&Leonard,&Nuremberg,&1745.&Stainer&pattern,&excellent&workmanship.&Thin&yellow&varnish,&raised&edges.&The&style&and&work&is&not&unlike&that&of&Tecchler.MAHER&(MAIER),&Andreas&Ferdinand.&Good&varnish,&sometimes&with&lion&scrolls.Andreas&Ferdinandus&Mahr,Hof&Laut&und&Geigenmacherin&Salzburg.&Anno&17—MEUSIDLER,&Johann,&Nuremberg,&about&1550.&Maker&of&Viols.MOHR,&Philip,&Hamburg,&17th&century.&Viol-maker.MOLDONNER,&Fussen,&Bavaria,&18th&century.NIGGEL,&Simpertus,&Fussen,&17—.&Flat&model,&good&workmanship.&Branded&inside&with&initials&S.&N.OHBERG,&Johann,&Stockholm,&1773.&Workmanship&of&average&merit.&Varnish&mostly&of&yellow&colour.OTT,&Johann,&Nuremberg,&about&1463.&Lute-maker.OTTO,&Jacob&August,&born&at&Gotha,&1762,&died&1830.&Violin-maker&to&the&Court&of&Weimar.&Received&instructions&from&Franz&Anton&Ernest.&He&published&a&work&in&1817&entitled,&"Ueber&den&Bau&und&die&Erhaltung&der&Geige&und&aller&Bogeninstrumente,"&and&another&work&with&more&information&in&1828,&the&first&English&edition&of&which&was&published&in&1848.OTTO,&Georg&August,&son&of&Jacob&August,&born&1807,&died&1859.&Succeeded&to&the&business&of&his&father&at&Jena.OTTO,&Christian,&Halle,&second&son&of&Jacob&August.&Born&1813,&died&1876.OTTO,&Heinrich,&Berlin,&third&son&of&Jacob&August.&Born&1815,&died&1858.OTTO,&Carl,&Ludwigslust,&fourth&son&of&Jacob&August.&Born&1825.&Violin-maker&to&the&Court&of&Mecklenburg.&Died&in&1883.OTTO,&C.&U.&F.,&Stockholm,&fifth&son&of&Jacob&August.&Died&1884.OTTO,&Ludwig,&St.&Petersburg,&son&of&Georg&August.&Born&at&C&died&1887.OTTO,&Louis,&Dusseldorf,&son&of&Carl,&now&living.OTTO,&Hermann,&St.&Petersburg,&son&of&Ludwig.&Died&1884.PARTH,&Andreas&Nicholas,&Vienna,&18th&century.PFRETZSCHNER,&Johann&Gottlob,&Cremona,&1750.&Very&commonplace.PFRETZSCHNER,&Carl&Friedrich,&Cremona,&son&of&the&&no&merit.PLACK,&F.,&Schoenbock,&1730-45.POSSEN,&L.,&Schoengau,&Bavaria,&about&1553.&Maker&of&Viols&and&Lutes.RAUCH,&——,&Wurtzburg.RAUCH,&Jacob,&Manheim,&1720-50.&Brother&of&the&above.&Court&Violin-maker.RAUCH,&Sebastian,&Hamburg,&1725.&High&model,&rough&workmanship.&A&maker&of&this&name&is&said&to&have&worked&at&Leitmeritz,&Bohemia,&about&1750.&Possibly&the&same.RAUCH,&——,&Breslau,&about&1750.REICHEL,&Johann&Gottfried,&Absam,&18th&century.REICHEL,&Johann&Conrad,&Neukirchen,&18th&century.REICHERS,&August,&Berlin,&19th&century.&Pupil&of&Bausch&of&Leipsic.RIESS,&——,&Bamberg,&about&1750.R&OSCHER,&C.&H.&W.,&Bremen,&about&1871.ROTH,&Christian,&Augsburg,&17th&century.RUPPERT,&Franz,&Erfurt,&18th&century.RUPPERT,&J.&N.,&Erfurt,&1719-28.
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